Exeunt magazineĪ spectacular study of a pained outsider's search for peace. But the whole is always something to be reckoned and wrestled with. Individual lines make sense on their own terms, as Walsh's often hermetic characters devise and live by the internal logic of their own little worlds. Like Bowie's music, his plays revel in playful, poetic acts of suggestion.
Bowie did it his own way playwright supreme Enda Walsh, it's clear, was the perfect choice for collaboration. The Stageĭecipher and absorb, decipher and absorb. Blazingly original and disconcertingly weird, Lazarus is of a piece with its principal creator David Bowie's own artistic output.
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Lazarus adds another mysterious chapter to a career that was full of infinite mystery. Bowie's belief in the power of the imagination and the mind to create and encompass new worlds comes to the fore. a fitting memorial to one of the giants of popular culture. entire creation is infused with the spirit, the quirkiness, the capriciousness of Bowie, and Walsh could not be more in tune with all of it. Time OutĮnda Walsh's book is full of longing - for love, for peace, for release from earthly ties - while songs from Bowie's iconic catalogue, an astonishing legacy spanning four decades, are reimagined in a new context whilst somehow retaining the potency they once exerted during the course of a life richly lived. It is not a valedictory romp through his greatest hits, but something rarer, more interesting and more frustrating: a last transmission from a dying star. I feel moved by the very existence of Lazarus, which feels like Bowie's final tour, final testament and last eccentric project all wrapped into one.
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